boulez pour vous
From the "taste of his own medicine" department, mail artist Josh Ronsen has an apt proposal for treating the work of Pierre Boulez, who once famously declared that "all art of the past must be destroyed."
In fairness to Boulez, I believe him that the comment was probably a tongue-in-cheek way of ridiculing over-attachment to tradition in the arts. The sentiment is fully understandable coming from someone who has worked in "classical" music. As a side note, it's intriguing that "continental" artists and philosophers have such a consistent habit of framing basically simple, commonsensical arguments in the kind of grand, sweeping language they must know will antagonize much of the West's Anglophone cultural milieu. (Another good one, mentioned in this interview: the "orderly anarchist.") Perhaps the antagonism is part of the sport -- can't say I'd blame them if it was. Regardless, it usually comes clear pretty quickly that the argument isn't quite so reckless as the slogan.
Though I don't buy Ronsen's contention that Boulez is "a true sympton of the paranoia and abuse of power that defines our modern era," his project is fascinating -- and consistent, as he notes, with the spirit of irreverence Boulez himself advocates.
I also like Ronsen's poetry, to be enjoyed in much the same way that snappy one-liners are to be enjoyed.
From the "taste of his own medicine" department, mail artist Josh Ronsen has an apt proposal for treating the work of Pierre Boulez, who once famously declared that "all art of the past must be destroyed."
In fairness to Boulez, I believe him that the comment was probably a tongue-in-cheek way of ridiculing over-attachment to tradition in the arts. The sentiment is fully understandable coming from someone who has worked in "classical" music. As a side note, it's intriguing that "continental" artists and philosophers have such a consistent habit of framing basically simple, commonsensical arguments in the kind of grand, sweeping language they must know will antagonize much of the West's Anglophone cultural milieu. (Another good one, mentioned in this interview: the "orderly anarchist.") Perhaps the antagonism is part of the sport -- can't say I'd blame them if it was. Regardless, it usually comes clear pretty quickly that the argument isn't quite so reckless as the slogan.
Though I don't buy Ronsen's contention that Boulez is "a true sympton of the paranoia and abuse of power that defines our modern era," his project is fascinating -- and consistent, as he notes, with the spirit of irreverence Boulez himself advocates.
I also like Ronsen's poetry, to be enjoyed in much the same way that snappy one-liners are to be enjoyed.
